Maxwell “Power”

March 31st, 2008

Tonight I was doing a bit of recording with one of my young students who I told you about a few weeks back. A young master Maxwell “Power” Marlow.
We were doing some recording to get segments sorted for his solo which he will, later this year, submit to the “young drummer of the year” competition. I’m telling you this because young Maximus can be a bit lazy (or a lot lazy at times!) and isn’t that partial to too much hard work in the practice room. However he’s said to me that he really wants to win this thing and go on to be a top professional drummer. So what I was hoping is that you guys could leave some encouraging comments for him, something that’ll spur him on, something that’ll light a fire under his arse and get him practicing! (He’s taken on my bad habits as well as good unfortunately!)

So to get you started my comment is this, Max…

Don’t give up the Fight

Failure is NOT an Option 


Career Goals: Worlds Fastest Drummer – Practice not going well!

March 30th, 2008

A good while ago now you may have read my “career goal” to be the UK’s fastest drummer and 3rd in the world (hands with sticks). Seeing as it’s been a while since I wrote last on the subject I thought I’d give you an update.

Things aren’t going well!

It turns out that regular practice is a MUST if you wanna be the best, and me, well I practice maybe once a month for about 45mins! To be honest I haven’t actually practiced properly since last September which was 6months ago! This isn’t gonna get me anywhere and I’m rather disappointed with myself on the matter. Having said that I have been dedicating my time to other areas of my goal list and making head way with them, but still, I shouldn’t make excuses really. I’d be lucky to push 1000 now! I really need to get my arse into gear in this area because there’ll be a competition coming up at music live 2008 which is in June this year! That really doesn’t give me much time to practice and I think I’m really gonna have to start eating humble pie about me being fast.
The guy who has the fastest feet in the world says he practices 2hrs a day just to stay on top of the game!! Me…well that’s something that I’ve never been able to do and with my life the way it is right now it’ll be damn near impossible.
But hey, I’m gonna try and get back on top of my game and kick some ass at the next event (fingers crossed!).


Top 10 DVDs out at the moment

March 29th, 2008

If you’re in the market for a drum DVD at the mo and you haven’t quite decided as to which one you’d like. Or maybe you wanna buy one for a friend/son/daughter/parent/whatever then March’s top 10 buys might help you decide.

The top selling drum DVDs in Europe in March are…
1 JO JO Mayer - Secret Weapons for the Modern Drummer
2 Mike Portnoy - In Constant Motion
3 Thomas Lang - Creative Coordination
4 Absolute Beginners Drums - Music Sales
5 Drum Legends Jason Bonham - Total Accuracy
6 Thomas Lang - Creative Control
7 MD 2006 4 dvd set
8 Steve Smith - History Of…
9 Tommy Igoe - Groove Essentials
10 Drum Legends Stewart Copeland - Total Accuracy

Of course this is just the European market…. There might well be some over in America that haven’t reached us yet!


Ddrum announced new stick bag

March 28th, 2008

Ddrum have made a revolutionary new bag just for us computer loving drummers!
Ddrum have announced a new stick bag and combined rucksack called the Stickpack.
The camouflage rucksack has a laptop compartment and is made from heavy duty nylon. The detachable stickbag has space for twelve pairs of sticks and has an exterior pocket.
The price will be £49.95 and more details can be found at www.bill-lewington.com or any ddrum dealer.

Ddrum Stickpack


Terminology: a Bridge

March 27th, 2008

Now, like a verse and a chorus, bridges can be repeated in a track. They’re usually dynamically bigger than a verse, but not quite as big as the chorus. A general observation would be that a bridge usually ties a verse to a chorus or vice versa. So for example, you have 1st verse, then a bridge, then the chorus. Or you’ll have 1st verse, chorus then a bridge to go into the next verse. Bridges usually build up or mellow out depending on which direction they’re going (i.e. Verse to chorus or chorus to verse). A bridge is a little harder to pinpoint than a verse and a chorus and often people mistake a bridge for a chorus, but remember, if it’s not catchy, it’s not a chorus, and if it has ever changing lyrics it’s most likely to be a verse! But if it sounds like it’s building towards something but it ain’t quite there yet…. That could be your bridge! Some people call a “middle 8” the bridge, which could be fine so long as there isn’t a bridge elsewhere and you’re at a loss as to what to call that!! Basically, as long as you have enough names for parts of your track it doesn’t really matter TOO much. So go ahead and get some tracks to see if you can identify some bridges!


Track of the week - Brown Eyed Girl

March 26th, 2008

This weeks’ track of the week is Brown Eyed Girl by Van Morrison, an exception to the “title lyric in the chorus” observation that I’ve just written about, but the chorus is still very memorable. Give it a listen to see if you agree…. It’s a great pub classic!

Section          No. of Bars

Intro             8 (don’t play)

1st Verse     24

2nd Verse   23

Bridge          3

Chorus         8

Inst.             4

Inst.             4 (cut out hi hat)

3rd Verse   23

Bridge         3

Chorus    to fade……


Terminology: a Chorus

March 25th, 2008

Ok, so I’ve mentioned verse’s and the trademarks there of. I’m now gonna talk briefly about a “chorus”.

Again, I’m sure nearly all of you have heard of a chorus as a musical term when referring to a song, but I’ve found that a lot of people don’t know how to identify one when they here it. Especially when it comes to breaking down a track to find its structure and they have to be sure.

I’ll remind you once again that there are NO RULES when it comes to writing music, but there are general observations that one can make.

Another term for a chorus can be a “hook”, with the idea being that THIS is the part you get hooked on, or this is the part that hooks your attention. For this to happen the chorus is most likely rather repetitive, rather repetitive, rather repetitive, so you can remember what was said or sung when you’re not even listening to the track. I could almost guarantee that when you walk along whistling, humming or “do- d- do”-ing a song it’s the chorus that is in your head at the time. Chorus’, unlike verses, are generally very simple and catchy. And a lot of the time (but not ALL of the time) the title lyric (for example “Sweet Home Alabama”) is in the chorus, which in turn makes it easier to remember what the song is called.

Another observation could be that, dynamically, the chorus is usually the biggest part of the song. Things kinda “build” up to the chorus and then when it comes they’re all out.

So remember, when it comes to breaking down a track, if something sounds catchy, repetitive and contains the title lyric, 99 times out of 100 it’s gonna be the chorus.


Walking And Chewing Gum At the Same Time…

March 24th, 2008

Five drummers who got sick of looking at the lead singer’s wiggling bum and decided that they could sing!

PHIL COLLINS: ‘GENESIS’
 Phil Collins was never first choice. Genesis were the Spinal Tap of prog rock, having gone through an impressive four complete drummers before Phil took up the sticks. Having failed to die in a bizarre gardening accident, or explode on stage, he survived until lead singer Peter Gabriel flounced out of the band in a cloud of makeup and chintz. Auditions were held for someone to take the mic but their desperate attempts to avoid the inevitable couldn’t stop Phil, and he ended up with the job. A few Genesis albums later he went on to a succesful solo career and became the only person to play at both the UK and the US Live Aid concerts (claims that this is because people at Wembley told him to bog off to America have yet to be substantiated). Not bad for a guy who initially wanted to stay behind the drum kit: “At first I didn’t like singing. I didn’t think it was a respectable gig, you know. There were steps to do - ostentatious clothes - wiggle your ass a bit. It just wasn’t respectable like drumming is.”

DON HENLEY: ‘THE EAGLES’
Don Henley, one of the founder members of the mighty Eagles, was talented to the point of obnoxiousness - he sang, drummed and wrote the songs for one of the most successful supergroups of the ’70s. He’s dismissive of his skin bashing skills, however, and when Modern Drummer magazine went to interview him he responded: “What does Modern Drummer want with me anyway? I’m no drummer.” Indeed, he gave up the sticks and on his last few solo albums he only did duty as a singer songwriter. There’s a simple reason for this: “playing the drums hurts my back.” Fair enough. This probably explains why there are so few singing drummers around: “I used to have to hold my body in such a position that my spine got out of alignment. Between playing the drums and keeping my mouth in front of the microphone, it really twisted my whole body.” Ouch. Nontheless, he realises that the fans like a bit of stick singage every now and then: “I think people enjoy watching me sing and play the drums. It seems to fascinate people. I don’t know why.”

RINGO STARR: ‘IF YOU DON’T KNOW WE’RE NOT TELLING YOU’
Don Henley is full of praise for the first great singing drummer: “I don’t care what anybody says about Ringo. I cut my rock ‘n’ roll teeth listening to him.” When Pete Best was dropped by the Beatles for being, well, a bit rubbish really, they recruited Ringo who was, according to Lennon, quite the catch: “Ringo’s a damn good drummer. He was always a good drummer. He’s not technically good… [but] he was quite simply the heart of the Beatles”. This rather begs the question, if he’s not technically good what kind of good is he… theoretically good? George Harrison once said that “playing without Ringo is like driving a car on three wheels,” and Sir Macca claims that Ringo remains his favourite drummer, even now, when he can work with anyone he chooses. His singing, however, was a little, how shall we put it, raspy… but we all love ‘Yellow Submarine’ and ‘Octopus’s Garden’. Anyway, he knew it wasn’t his strong suit: “first and foremost I am a drummer… I played drums because I loved them… it was the love of my life.” Aw, bless his little heart.

KAREN CARPENTER: ‘THE CARPENTERS’
Karen Carpenter, one of the most expressive pop vocalists of all time, began her musical career as a drummer. She fell into music by accident, choosing to join the school band as a means of getting out of gym class, and then picking the drums because they seemed the softest option. She never looked back: “luckily, drumming came naturally, I started right off playin’, and time signatures came naturally… I don’t know how, I mean, it felt so comfortable when I picked up a pair of sticks!.” Her brother, who formed the other half of The Carpenters, agreed: “boy, could she play ‘em!” Richard and Karen were the best selling American artists of the ’70s and she came under a lot of pressure to get out from behind the drum kit. Eventually she compromised - she drummed for the up-tempo numbers and came to the front for the ballads. The final word goes to drumming legend Buddy Rich, who once told Karen: “do you know that you’re one of my favourite drummers?” High praise indeed!

MICKEY DOLENZ: ‘THE MONKEES’
The original manufactured band, The Monkees were recruited to fill set roles in a TV show designed to launch the band. According to Dolenz: “I was hired as an actor to play the role of a drummer. I had to learn to play drums.” It wasn’t long until the Monkees were one of the biggest bands in the world, but how many of the songs actually feature them playing their instruments is hotly debated - for their early recordings they mostly dubbed vocals onto tracks laid down by session band Candy Store Prophets. Their debut hit ‘Last Train To Clarkesville’ featured Mickey on lead vocals, as did ‘I’m A Believer’. Drumming and singing aside Mickey has made two truly great contributions to world culture: he wrote the Monkees classic UK No 2 hit ‘Randy Scouse Git’ (we’re not making that up, honest); he also, all hail him, co-created the TV show Metal Mickey, and for that he should be praised as a god among men.

Source:http://www.bbc.co.uk/totp2/features/top5/singing_drummers.shtml


Terminology: a Verse

March 23rd, 2008

I thought, seeing as though a lot of the guys who I teach are now breaking down tracks to play in the drum recital evening I’m hosting in a few months, I’d just give people a little insight into tracks and their “make up” so to speak, should they have not already had it.

Today I’m gonna give you the trademarks of a “verse”.

I’m sure you’ve all heard of the word “verse” before, either as a musical or poetic term. But few people actually know how to identify a verse when they hear one.

Now please REMEMBER THIS…… music HAS NO RULES!!!! Just general observations that one can make, patterns that occur, and so on. I always define a verse as having “ever changing lyrics” (words). A classic example of an “ever changing lyric” verse would be from an Eminem track. His verses are jam packed full of lyrics that are kinda hard to remember after you’ve just heard them. This is because there are many, and they keep changing! You don’t hear the same words over and over. So when we identify a verse in a track, it’s 99.9x out of 100 gonna have ever changing lyrics. A verse can occur again in the same track, and you can have many verses. So for example you may have 1st verse, 2nd verse then 3rd verse then to fill up some time, the 1st verse again! Many tracks start with a verse either straight away, or after an intro.

I’ll give you more “trademarks” of other parts of a song over the next few days.


Career Goals: DVD for book 1 - part 2

March 22nd, 2008

Anyway, we started shooting and we were all really getting into it. I was hitting everything on the 1st take too, which was nice. It didn’t get tedious going over and over the same thing. I ad lib-bed the whole thing too so I really had to think on my feet with my English!  Mark, the cameraman, said he’d never known someone to be so professional and get everything right 1st time around! Well hey, what can I say?…. I’m a natural! It was actually really enjoyable and I had a lot of fun. The day passed really quickly and we absolutely dashed through the material. Because of this we actually wrapped up two hours early on the 1st day and all got a tad more rest which was nice. And I can tell you now, the 1st thing I did when I got the door was scrub my face raw to get all that make-up off!

The next morning we all rocked up at 6am again, and again, were all surprisingly awake! We only had a few more things to shoot, and though some of them were rather long takes and pretty tough on me speech wise we actually got the whole lot done by 10am! Happy days! The only thing I’m now dreading is that I’ve forgotten one fundamental thing we should have shot and we’ll have to get all the gear back in there to do one last snippet! That would be a real kick in the crotch!

So shooting over I’m now waiting for it to be taken to the editor where I can go and see it all put together before I receive the final product.

And finally, everyone has been asking me “Is it a “teach yourself” DVD that I can buy?” so let me clear this up before anyone else asks me….. NO! It’s not a “teach yourself” package, it’s meant to be used by my new teachers in lessons to aid teaching. The DVD only covers the concept and explanation of what’s in the book and would be something that an individual wouldn’t get much from unless a teacher was there present guiding and helping you through it. Having said that I will eventually be doing a teach yourself series within the next few years, but for now I’m working on getting DVD’s to accompany my books for teachers to use.


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